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Various - Digital Test - 106 Plages De Demonstration Et Tests Numeriques / 106 Digital Tests & Demonstration Tracks Album

Various - Digital Test - 106 Plages De Demonstration Et Tests Numeriques / 106 Digital Tests & Demonstration Tracks Album
Title:
Digital Test - 106 Plages De Demonstration Et Tests Numeriques / 106 Digital Tests & Demonstration Tracks
Performer:
Various
Style:
Technical, Classical
Released:
1988
Catalog:
PV.788031 / PV.788032
Country:
France
MP3 album size:
1320 mb
FLAC album size:
2421 mb
Genre:
Label:
Disques Pierre Verany

Tracklist


1500 Hz, 0 dB0:30
2Drop-outs : 2x1,5 mm0:45
31,40 m/s0:45
4 Différences Audibles De Quantification / Audible Differences In Quantization
51,50 µm0:45
6Drop-out: 3,00mm (2,500ms)0:45
71,65 µm0:45
8Niveau Numérique Zéro / Zero Digital Level ("Zero Infini" / "Infinite Zero") Avec Pré-accentuation/emphasis On0:30
9Drop-out: 4,00mm (3,080ms)0:45
10Hora de la Granicesti (Trad. Roumain / Rumanian Trad.) - Paul Stinga Et Ses Musiciens / And His Orchestra3:27
11 (Pour Explications, Voir Livret Page 36 / For Explanations, See Booklet Page 60)
12Musique Codée Sur 14 Bits / 14 Bits Encoded Music Sans Pré-accentuation/emphasis Off0:45
13Drop-out: 0,20mm (0,1540ms) Limite de la Norme / CD Standard Limit0:45
1420 Hz / 20 kHz, -20 dB Sans Pré-accentuation/emphasis Off G+D / L+R1:00
15Très Faible Asymétrie / Very Low Asymmetry0:45
16Drop-out: 2,50mm (2,080ms)0:45
17 Capacité Du Lecteur Laser à Détecter Le Signal Numérique (Niveau de Détection Hf) - CD Player Ability To Detect The Digital Signal (Hf Detection Level)
18 Pour Explications, Voir Livret Page 40 / For Explanations, See Booklet Page 64
19Variation continue de 1,4 m/s à 1,2 m/s / Continuous variation from 1,4 m/s to 1,2 m/s. Écartement entre pistes / Track pitch: 1,7 µm0:45
2018 kHz, 0 dB0:30
21Niveau Numérique Zéro / Zero Digital Level ("Zero Infini" / "Infinite Zero") Sans Pré-accentuation/emphasis Off0:30
22Musique Codée Sur 16 Bits / 16 Bits Encoded Music Sans Pré-accentuation/emphasis Off0:45
23100 Hz, 0 dB0:30
2450 Hz, 0 dB0:30
25 Intermodulation Par Diaphonie / Intermodulation By Crosstalk
261,55 µm0:45
27 Pour Explications, Voir Livret Page 39 / For Explanations, See Booklet Page 64. Toutes Ces Plages Ont Des Pistes écartées de 1,50 Micromètre. All These Selections Have A Track Pitch Of 1,50 Micrometer.
28Drop-out: 1,50mm (1,150ms)0:45
29 Tests Combinés: Variations de Vitesse - Variations D'écartement de Piste. Combinated Tests: Variations Of Velocity - Variations Of Track Pitch
302ème Concerto Pour Trompette / 2nd Trumpet Concerto (André Jolivet, 1905-1974): 3ème Mouvement (Giocoso) / 3rd Movement (Giocoso) - Orchestre Philharmonique Des Pays de Loire - Dir. / Cond. Marc Soustrot - Bernard Soustrot, Trompette / Trumpet3:48
31Concerto "La Notte" en sol mineur / in G Minor op. X n°2 (Antonio Vivaldi, 1678-1741), extraits / excerpts - Concerto Köln Ensemble - Christian Mendoze, flûte à bec / recorder - Largo0:51
32Retour Aux Paramètres Normaux de Ce CD Test / Return To Normal Parameters Of This Test CD (Voir Livret / See Booklet)0:45
33Drop-out : 2 mm0:45
34"O Dulcís Amor" (André Campra, 1660-1744) - Jacqueline Nicolas, Soprano - Anne-Marie Lasla, Basse de Viole / Bassviol - William Christie, Orgue Continuo / Continuo Organ3:17
3512 kHz, 0 dB0:30
36Drop-out: 0,75mm (0,577ms)0:45
37Drop-outs : 2x3 mm0:45
38Drop-out : 1,5 mm0:45
39Trains d'ondes / Tonebursts 4 KHz, -6 dB sans pré-accentuation/emphasis off0:30
401,4 m/s & 1,5 µm0:45
4115 kHz, 0 dB0:30
42Drop-out : 1 mm0:45
43 Plages de Tests Musicaux Et de Démonstration / Musical Tests And Demonstration Tracks
44 Aptitude à Corriger Des Successions de Drop-out / Ability To Correct Successive Drop-outs
45Drop-out: 0,30mm (0,230ms)0:45
461000 Hz Gauche/left, 5khz, Droite/right, 0 dB Sans Pré-accentuation/emphasis Off0:30
47Drop-out : 2,4 mm0:45
482 kHz, 0 dB0:30
49 Contrôle Du Circuit Analogique de Désaccentuation / Analogue Deemphasis Circuit Control
50 Distorsion D'Intermodulation / Intermodulation Distortion
51 (Bedrich Smetana: La Moldau / The Moldau (extraits/excerpts); Slovak Philharmonic Orchestra, Dir./cond.: Kurt Redel (GM087011) ® Pierre Verany
52 Plages de Tests / Tests Tracks
531 Khz 0 dB Sans Pré-accentuation/emphasis Off Droite/Right0:30
54Concerto "La Notte" en sol mineur / in G Minor op. X n°2 (Antonio Vivaldi, 1678-1741), extraits / excerpts - Concerto Köln Ensemble - Christian Mendoze, flûte à bec / recorder - Presto1:00
55Drop-out: 0,50mm (0,385ms)0:45
56 (Anton Dvorak: Symphonie N°9 "Du Nouveau Monde"/ "From The New World" (extraits/excerpts). Slovak Philharmonie Orchestra, Dir./cond.: Kurt Redel (GM087011) ® Pierre Verany
57Drop-out: 2,40mm (1,850ms)0:45
581,30 m/s0:45
59Asymétrie Moyenne / Average Asymmetry0:45
60Drop-outs : 2x0,1 mm0:45
61 Série De Tests 6 / Tests Series # 6
621 KHz 0 dB sans pré-accentuation / emphasis off - G+D / L+R0:30
635 kHz Gauche/left, 1000hz Droite/right, 0 dB Sans Pré-accentuation/emphasis Of0:30
641 kHz, 0 dB0:30
65Musique Codée Sur 15 Bits / 15 Bits Encoded Music Sans Pré-accentuation / Emphasis Off0:45
661 kHz +6dB, G+D / L+R Sans Pré-accentuation/emphasis Off0:30
67Musique Codée Sur 8 Bits / 8 Bits Encoded Music Sans Pré-accentuation/emphasis Off0:45
6810 kHz, 0 dB0:30
69Signal de Calibrage de Niveau / Calibration Reference Tone - 1 kHz 0 dB Sans Pré-accentuation/emphasis Off0:15
70 Tests Combinés: Variations de Taille de Drop-outs Et écart Entre Pistes Minimal / Combinated Tests: Drop-outs Size Variations And Minimum Track Pitch
71 (Pour Explications, Voir Livret Page 37 / For Explanations, See Booklet Page 61)
72Feux D'artifice / Fireworks3:56
73200 Hz, 0 dB0:30
74Musique Enregistrée Avec Pré-accentuation / Music Recorded With Pre-emphasis On1:11
75 CD N°1 - Durée Totale / Total Time: 73'47"
76Almande (V. Soldt) - André Isoir, Orgues de Saint-Guilhem-le-Désert / Organ Of Saint-Guilhem-le-Désert2:01
77 (Pour Explications, Voir Livret Page 32 / For Explanations, See Booklet Page 57)
78 CD N°2 - Durée Totale / Total Time: 50'00" (All These Tracks Are 45 Seconds Long)
79Drop-out: 1,25mm (0,960ms)0:45
80Signaux carrés / Square waves -6 dB, 1000Hz sans pré-accentuation/emphasis off0:30
81Très Forte Asymétrie / Very High Asymmetry0:45
82 Série De Tests 5 / Tests Series # 5
831,60 µm0:45
84 (Bedrich Smetana: La Moldau/The Moldau (extraits/excerpts); Slovak Philharmonie Orchestra, Dir./cond.: Kurt Redel (GM087011) ® Pierre Verany
85 Série De Tests 4 / Tests Series # 4
86Ballet Des Coqs (Michael Praetorius, 1571 -1621 ) - Musica Antiqua Ensemble1:41
87 Rapport Signal Bruit / Signal-to-Noise Ratio
88Drop-out: 1,00mm (0,770ms)0:45
89Drop-outs : 2x2,4 mm0:45
90 Repérage Gauche/Droite Et Diaphonie / Left/Right Location And Channel Separation
91 (Pour Explications, Voir Livret Page 33 / For Explanations, See Booklet Page 58)
92 Série De Tests 2 / Tests Series # 2
9320 Hz, 0 dB0:30
941 kHz 0 dB, G+D / L+R Sans Pré-accentuation/emphasis Off0:30
95Musique Enregistrée Sans Pré-accentuation / Music Recorded With Pre-emphasis Off1:11
96 Série De Tests 7 / Tests Series # 7
97Dear Old Dixie (Trad. Américain / American Trad.) - Jazz Grass Ensemble3:05
98Bransle Doubble (Michael Praetorius, 1571 -1621 ) - Musica Antiqua Ensemble1:01
991 kHz, 0 dB0:15
100 Influence Du Circuit Analogique de Désaccentuation Sur Le Son / Analogue Desemphasis Circuit Audible Incidence
1011,20 m/s0:45
102 Niveau Maximum de Gravure / Maximum Cutting Level
1031 kHz +3dB, G+D / L+R Sans Pré-accentuation/emphasis Off0:30
104Trains d'ondes / Tonebursts 400Hz, -6dB sans pré-accentuation/emphasis off0:30
1051,35 m/s0:45
106Drop-out: 2,00mm (1,540ms)0:45
1071,2 m/s & 1,7 µm0:45
108Drop-outs : 2x1 mm0:45
1091,2 m/s & 1,5 µm0:45
110 Effets de Surcharge Des Convertisseurs Numérique-analogique / Digital-analogue Converter Overload Effect
111 Distorsion Harmonique / Harmonic Distortion (Plages Sans Pré-accentuation / Tracks With Emphasis Off. G+D / L+R)
112Drop-out: 0,10mm (0,077ms)0:45
11320 Hz /20 KHz, 0 db Sans Pré-accentuation/emphasis Off G+D / L+R1:00
1145 kHz, 0 dB0:30
115Forte Asymétrie / High Asymmetry0:45
116 Bande Passante / Frequency Response
117Drop-outs : 2x0,2 mm (Limite de la Norme / Limit Of CD Standard)0:45
11820 kHz, 0 dB0:30
119Contrôle Du Circuit Analogique de Désaccentuation - 15+50 µs 20 / 20000 Hz 0 dB Avec Pré-accentuation/emphasis On1:00
1201,70 µm0:45
12119 kHz / 20 kHz, G+D / L+R Sans Pré-accentuation/emphasis Off0:30
1221 ère Symphonie pour orgue / 1 st Organ Symphony (Louis Vierne, 1870-1937) extraits / excerpts: Andante (fin) et Final enchaînés / Andante (end) followed by Final - François-Henri Houbart, Grandes Orgues de la Madeleine / Madeleine Church Organ, Paris6:46
1231,4 m/s & 1,7 µm0:45
124Drop-out: 0,05mm (0,038ms)0:45
125Musique Avec 9 dB de Surcharge / Music With A 9 Db Overload Sans Pré-accentuation/emphasis Off2:06
126Drop-outs : 2x0,5 mm0:45
127Signaux carrés / Square waves -6 dB, 400Hz sans pré-accentuation/emphasis off0:30
1281 Khz 0 dB Sans Pré-accentuation/emphasis Off Gauche/Left0:30
129Concerto "La Notte" en sol mineur / in G Minor op. X n°2 (Antonio Vivaldi, 1678-1741), extraits / excerpts - Concerto Köln Ensemble - Christian Mendoze, flûte à bec / recorder - Presto Fantasmi0:49
130Scheherazade (Nikolai Rimsky-Korsakov, 1844-1908) - 4ème Mouvement / 4th Movement (extraits/excerpts) - Orchestre Philharmonique Des Pays de Loire, Dir. / Cond. Marc Soustrot7:03
131400 Hz + 7 kHz, G+D / L+R Sans Pré-accentuation/emphasis Off0:30
132Faible Asymétrie / Low Asymmetry0:45
133 Tests de "drop-outs" / Drop-outs Tests (Absence D'informations Sur Le Disque: Rayures, Taches, Défauts de Fabrication / Absence Of Datas On The Disc: Scratches, Stains, Manufacturing Defects)
1341,25 m/s0:45
135Musique Niveau Nominal / Music At A Nominal Level Sans Pré-accentuation/emphasis Off2:06
136 Réponse En Transitoires / Transient Signals Response
137Jeux interdits (Anon.) - Arnaud Dumond, guitare/guitar2:12
13850 Hz + 7 kHz, G+D / L+R Sans Pré-accentuation / Emphasis Off0:30
139 Série De Tests 1 / Tests Series # 1 - Différences de Vitesse Linéaire de Gravure Du CD / Variations Of Linear Cutting Velocity Of The CD


Notes


Nous tenons à remercier M.P.O., et plus particulièrement Marc des Rieux, qui nous ont permis, grâce à leur collaboration active, efficace, et novatrice, de mener à bien ce projet de CD Test.

We are very grateful to M.P.O. (France), and especially to Marc Des Rieux, who brought us an active, efficient, and ressourceful collaboration to carry out the realization of this Test CD # 2.

© 1988 Pierre Verany. ® 1988 MPO


Barcodes


  • Barcode: 3297167880317


Album


Paul Stinga Et Ses Musiciens, And His Orchestra - Digital Test - 106 Plages De Demonstration Et Tests Numeriques, 106 Digital Tests & Demonstration Tracks - Various. Dear Old Dixie Trad. Américain, American Trad. Ballet Des Coqs Michael Praetorius, 1571 -1621 - Musica Antiqua Ensemble - Digital Test - 106 Plages De Demonstration Et Tests Numeriques, 106 Digital Tests & Demonstration Tracks - Various. Bransle Doubble Michael Praetorius, 1571 -1621 - Musica Antiqua Ensemble - Digital Test - 106 Plages De Demonstration Et Tests Numeriques, 106 Digital Tests & Demonstration Tracks - Various. Album Title: Digital Test - 106 Plages De Demonstration Et Tests Numeriques, 106 Digital Tests & Demonstration Tracks. Category: Jazz, Non Music, Classical. Plages de Tests, Tests Tracks. Niveau Maximum de Gravure, Maximum Cutting Level. 1 KHz 0 dB sans pré-accentuation, emphasis off - GD, LR. Tests Combinés: Variations de Taille de Drop-outs Et écart Entre Pistes Minimal, Combinated Tests: Drop-outs Size Variations And Minimum Track Pitch. Pour Explications, Voir Livret Page 39, For Explanations, See Booklet Page 64. Toutes Ces Plages Ont Des Pistes écartées de 1,50 Micromètre. Roumain, Rumanian Trad. Paul Stinga Et Ses Musiciens, And His Orchestra, Dear Old Dixie Trad. Jazz Grass Ensemble, Jeux interdits Anon. Arnaud Dumond, guitareguitar, 2ème Concerto Pour Trompette, 2nd Trumpet Concerto André Jolivet, 1905-1974: 3ème Mouvement Giocoso, 3rd Move. Various Tests. Digital Test. Music Tests and Demonstrations Tracks: Hora de la Granicesti. Music Tests and Demonstrations Tracks: Dear Old Dixie. Jazz Grass Ensemble. Great test disc. The selections are for highlighting different aspects of the listening experience, and it's all fun and very informative. This is a very good addition to my existing Chesky Records test disc. It uses various musical tracks to demonstrate various qualities that comprise a good sound system. Read more. 4324 Tests found for Test. Create your test in 3 steps. Create private or public online tests. Invite your contacts to take the test. Start Now. Start-up demonstration tests and various extensions have been discussed, in which a unit under the test is accepted or rejected according to some criteria. CSTF, CSCF, TSCF and TSTF are most well known start-up demonstration tests. In this paper, two kinds of more general start-up demonstration tests are introduced. Ultimate Demonstration Disc: Chesky Records' Guide to Critical Listening. Лента с персональными рекомендациями и музыкальными новинками, радио, подборки на любой вкус, удобное управление своей коллекцией. What TWO activities on the last Digital Inclusion Day did participants describe as useful A learning to use tablets B communicating with family C shopping online D playing online games E sending emails. Part 3: Questions 21-25 Choose the correct letter A, B or C. 3 responses to IELTS Listening Test 106. sushmita khadka says: April 5, 2019 at 8:51 pm. Demonstration tests are currently underway at the 30MWth CIUDEN pilot CFB plant which will provide a full experimental CCS platform for the demonstration and validation of flexible airoxy-fuel CFB combustion Hack et al. From: Fluidized Bed Technologies for Near-Zero Emission Combustion and Gasification, 2013

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