Erich Kunzel / Cincinnati Pops Orchestra - The Great Fantasy-Adventure Album Album
Tracklist
1 | Total Recall (Main Titles)Composed By – Jerry Goldsmith | 2:17 |
2 | Jurassic Park (Main Themes)Arranged By – Mark McGurtyComposed By – John Williams | 5:22 |
3 | The Princess Bride (Main Titles)Arranged By – Mark McGurtyComposed By – Mark KnopflerGuitar – Timothy Berens | 3:25 |
4 | Beetlejuice (Main Titles)Composed By – Danny Elfman | 2:05 |
5 | El Cid (Fanfare And Entry Of The Nobles)Arranged By – Mark McGurtyComposed By – Miklós Rózsa | 3:22 |
6 | Robin Hood: Prince Of Thieves (Main Titles)Composed By – Michael Kamen | 3:04 |
7 | Hook (Main Themes)Arranged By – Mark McGurtyComposed By – John Williams | 4:10 |
8 | The Hunt For Red October (Hymn To Red October)Chorus – May Festival ChorusComposed By – Basil PoledourisDirected By [Chorus] – Robert Porco | 5:07 |
9 | Wizards And Warriors (Main Titles)Composed By – Lee Holdridge | 2:57 |
10 | Conan The Barbarian (Anvil Of Crom)Arranged By – Greg McRitchieComposed By – Basil Poledouris | 2:28 |
11 | Splitting HairsArranged By – Mark McGurtySound Designer – Michael BishopSound Designer [Assistance] – Scott Burgess | 0:05 |
12 | Willow (Main Themes)Arranged By – Mark McGurtyComposed By – James Horner | 3:59 |
13 | The Seventh Voyage Of Sinbad (Overture)Composed By – Bernard Herrmann | 1:58 |
14 | Terminator (Theme)Arranged By – Julie SpanglerComposed By – Brad FiedelSound Designer – Michael BishopSound Designer [Assistance] – Scott Burgess | 3:30 |
15 | CybergenesisSound Designer – Michael BishopSound Designer [Assistance] – Scott Burgess | 1:22 |
16 | Jurassic LunchSound Designer – Michael BishopSound Designer [Assistance] – Scott Burgess | 1:11 |
17 | The Rocketeer (To The Rescue And End Titles)Composed By – James Horner | 3:12 |
18 | T. Rex!Sound Designer – Michael BishopSound Designer [Assistance] – Scott Burgess | 0:54 |
19 | Henry V (Opening And Closing Titles)Arranged By – Anthony M. KayeChorus – May Festival ChorusComposed By – Patrick DoyleDirected By [Chorus] – Robert PorcoVocals, Soloist – Brian Horne | 3:24 |
20 | The Abyss (End Titles)Arranged By – Mark McGurtyComposed By – Alan Silvestri | 4:09 |
21 | Clash Of The Titans (Main Titles, Love Theme And End Titles)Arranged By – Mark McGurtyComposed By – Laurence Rosenthal | 3:12 |
Credits
- Art Direction – Anilda Carrasquillo
- Conductor – Erich Kunzel
- Design [Cover] – Susan Cybulski
- Engineer [Recording] – Jack Renner, Michael Bishop
- French Horn – John Birge
- Harp – Elizabeth Motter, Juliet Stratton, Marcia LaBella
- Keyboards – Heather MacPhail
- Liner Notes – Michael Bishop, Robert Derwae
- Orchestra – Cincinnati Pops Orchestra
- Percussion – Fred Thiergartner, Marc Wolfley
- Photography By – Chris Callis
- Producer [Recording] – Robert Woods
- Supervised By [Production Supervisor] – Elaine Martone
- Trombone – Paul Piller
- Trumpet – Charles Pagnard
- Violin – Michelle Wilkison
Notes
On CD:
Manufactured under authority of Telarc International Corporation, Cleveland, Ohio, U.S.A.
℗© 1994 TELARC.
Made in Austria
On back:
℗© 1994 TELARC.
TELARC INTERNATIONAL CORPORATION
23307 Commerce Park Road ⋅ Cleveland, OH 44122 U.S.A.
Printed in U.S.A.
Track: publisher
1: EMI Robbins Catalog Inc. (ASCAP)
2: Triple Star Music, Inc. (BMI)
4, 17: Music Corp. of America (BMI)
6: Zachary Creek Music, Inc. (BMI)
7: PRS
8: Tusken Music (ASCAP)
9: Shapiro, Bernstein & Co., Inc. (ASCAP)
10: Fox Film Music Corp.
11: EMI Variety Catalog Inc. (ASCAP)
12: Walt Disney Music Company (ASCAP)
13: Geffen Again Music (BMI)
14: Anabasis Music (BMI)
15: Almo Music Corp. (ASCAP)
16: WB Music Corp. (ASCAP)
18: Ensign Music Corp. (BMI)
20: Euphonius Music (ASCAP)
Issued in a standard jewel case with 12-page booklet.
Total Playing Time 65:39
TECHNICAL INFORMATION
Recorded in Music Hall, Cincinnati, Ohio, November 1, December 12, 1993 and January 16, 1994
Microphones: Schoeps MK-2S, MK-3; Sennheiser MKH-40
On-Stage Preamplifiers: Millennia Media HV-3
Console: Ramsa WR-S824B custom engineered by John Windt
Digital Recording Processor: Telarc / Ultra-Analog 20-bit ADC, custom engineered by Kenneth Hamann and Gary Gomes
Recorded on Mitsubishi X-86E 20-bit Digital Recorder
Microphone, Interconnecting & Speaker Cables: This recording utilized the latest in cable technology including Monster Cable M1500, M1.5, Series I & III Prolink and Music Interface Technologies Proline & MH-750 Shotgon Terminator Interceonnects.
Minotored through Krell 20-bit "Studio" DAC
Monitor Speakers: Waveform Mach 7 (bi-amplified) Ötvös Industries
Power Amplifiers: Bryston 4B-PNB
Exclusive Control Room Acoustic treatment: RPG Abfusors & Diffusors
Digital Editing and Mixing: Sonic Solutions
20 to 16-bit Encoding: Apogee UV-22 Hyper Resolution CD Encoder
The Music Hall ambience, sound effects and synthesizers in this recording are enhanced by Spatializer®, a new audio technology which creates a three-dimensional surround sound listening experience using two ordinary stereo speakers. No decoding equipment is required. However speakers must be properly wired. Spatializer® encoded recordings are compatible with Dobly Pro-Logic® and Dolby Surround® Decoders. Playback through these systems will further enhance the listening experience.
Special thanks to Crafton Beck; Mark McGurty; Joe Linn, Solon Archery, Inc.; Bob LaTessa; the Green Ball Bearing Company; Sweetwater Sound and Tom Letizia's Jazz Underground Studios.
Tyrannosaurus rex coutesy of DiNAtech Genetics Laboratories
The Producer would like to thank Paul Garnett for his assistance in selecting the program material for this recording.
20-BIT DIGITAL! This Compact Disc was produced from 20-Bit Digital masters made during the recording sessions with Telarc’s Proprietary 20-Bit Sysrem.
Barcodes
- Barcode (Printed): 0 89408 03422 0
- Barcode (Scanned): 089408034220
- Matrix / Runout: A0000019618-0101 24 A1 DADC Austria
- Mastering SID Code: IFPI L551
- Mould SID Code: IFPI 94W6
- SPARS Code: DDD
- Other: DIDX 022138
Companies
- Phonographic Copyright (p) – Telarc International Corporation
- Copyright (c) – Telarc International Corporation
- Made By – DADC Austria – A0000019618
- Published By – EMI Robbins Catalog Inc.
- Published By – Triple Star Music, Inc.
- Published By – Music Corporation of America
- Published By – Zachary Creek Music, Inc.
- Published By – Tusken Music
- Published By – Shapiro, Bernstein & Co., Inc.
- Published By – Fox Film Music Corp.
- Published By – EMI Variety Catalog Inc.
- Published By – Walt Disney Music Company
- Published By – Geffen Again Music
- Published By – Anabasis Music
- Published By – Almo Music Corp.
- Published By – WB Music Corp.
- Published By – Ensign Music Corp.
- Published By – Euphonius Music
- Recorded At – Music Hall, Cincinnati
Album
Fanfare and Entry of the Nobles. Miklós Rózsa. Erich Kunzel, Cincinnati Pops Orchestra. Hook, film score. Erich Kunzel & The Cincinnati Music - Erich Kunzel, Cincinnati Pops Orchestra. Лента с персональными рекомендациями и музыкальными новинками, радио, подборки на любой вкус, удобное управление своей коллекцией. Play all. Erich Kunzel. 6,745 listeners. Erich Kunzel & Cincinnati Pops Orchestra. 2,431 listeners. Richard Marvin. I really like to listen to the Cincinnati Pops Orchestra with Erich Kunzel directing. I have several of their CD's. I really like the sound effects also. 0 out of 5 stars The Great Fantasy Album Cincinnati Pops. Reviewed in the United Kingdom on August 15, 2015. Verified Purchase. Orchestra Cincinnati Pops Orchestra. Photography By Chris Callis. Producer Robert Woods 2. Sound Designer Scott Burgess tracks: 3, 5, 19, 20, 21. Supervised By Elaine Martone. Vocals, Soloist Brian Horne tracks: 7. Winter Wonderland - Erich Kunzel, Cincinnati Pops Orchestra. Album 1994 21 Songs. Aaron Copland, London Symphony Orchestra & Philharmonia Orchestra. An American Salute: Spirit Of The Nation. Various Artists. Fanfare for the Common Man - Erich Kunzel, Cincinnati Pops Orchestra. The Cincinnati Pops Orchestra is a pops orchestra based in Cincinnati, Ohio, United States, founded in 1977 out of the Cincinnati Symphony Orchestra. Its members are also the members of the Cincinnati Symphony, and the Pops is managed by the same administration. Erich Kunzel, the Pops' founding conductor, continued to lead the Pops until his death in 2009